Senso Ultima thong-strap sandals blue kid leather thong strap tie-fastening ankle strap high heel Composition Outer: Kid Leather Lining: Kid Leather Sole: Synthetic Rubber The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 17897950 Brand style ID: ULTIMAAQUA

CFCL Fall 2025 ReadytoWear: Eyes on the Trajectory

Bleu Rod Beattie Ombre Shirred Bandeau One Piece Swimsuit

VersaceMedusa Milano embroidered T-shirtHighlightsblackcottonjersey textureMedusa Head motifembroidered logo to the frontcrew neckshort sleevesstraight hemCompositionCottonThe composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed.Washing instructionsHand WashThe washing method is subject to the commercial washing standardWearingThe model is 1.9 m wearing size LThe model is also styled with: Santoni Laife leather loafers, Versace mid-rise slim-fit jeans, Versace Medusa Biggie Barocco clutch bagProduct IDsFARFETCH ID: 23868334Brand style ID: 10133021A11054

For CFCL designer Yusuke Takahashi, the 10th collection of the high-tech knitwear label was a milestone that had him reflecting on “its starting point and trajectories,” he said before the show. In mathematics, that tends to define straight lines. But Takahashi took a more elastic view, inspired by “Lines: A Brief History,” a 2007 book by British anthropologist Tim Ingold that explores how lines of all kinds subsume everything humans do, from walking and singing to storytelling and weaving. That led the designer to trace backward all the way to his graduate collection when he discovered computer-programmed knitting, even enlisting sound artist Miyu Hosoi for a rhythmic soundtrack composed using the clicks and clangs of specialized machinery. But the fall collection was no greatest hits compilation. You May Also Like To wit, if the final dress was a seamless tube shape on paper, once on the model, it had all the form-fitting allure of a structured sheath and the nonchalance of a Fortuny-pleated number. Takahashi’s not one to plod a linear trajectory for long even if solidly desirable options such as voluminous but lightweight blousons made from curving milano rib knits or impeccable tailored trousers could keep the brand going steadily. The growing number of glamorous options such as filmy gowns in small-gauge yarns and more experimental pieces like a blazer that segued into a shimmering dress for a wholly novel take on the coatdress showed that Takahashi is only just started plotting the learning curve of what can be done with yarn and plenty of imagination.

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